Capitol Hill Block Party. Its kind of a big deal. Some people are excited, I'm sure. You'll see them bouncing up Pike and Broadway on the day of but if you look at the comment section of any given local blog (here / here), you see hate.
So I did a video interview with CHBP planner Jason Lajeunesse. Apparently I wasn't the only one who thought that would be a good idea.
My goal here was to put Jason's authenticity on display. Quotes in text articles lay flat within the context of the journalist's words. Video interviews are less easily manipulated. And here, you can look Jason in the eyes when he admits "getting people to shop durring the block party can be difficult" and decide for yourself if he is being genuine or not.
Cinematography is by Brody Willis. I performed the interview and edited the video.
Showing posts with label journalism. Show all posts
Showing posts with label journalism. Show all posts
Thursday, July 21, 2011
Wednesday, November 11, 2009
Story of Tim Brenton and Christopher Monfort
I've been following the story of Officer Tim Brenton and Christopher Monfort pretty closely because I am interested in stories that reflect upon issues of security and civil rights.

Police officer shot dead Halloween night. (article) Brenton's position as a senior police officer and a mentor to Britt Sweeney enhances the symbolic meaning of the story. A police officer is dead and we are faced with the mortality of our protectors
Police in search of suspicious car. (article) Once we establish the mortality of our hero, we introduce our faceless anti-hero. He draws power from his obscurity.
I know it is a lot to ask from the city, but I would like to see video evidence released to the public. Screen shots of video are not enough.
Police share theory about suspect. (article) Our anti-hero challenges the morality of our hero. Our villain wants us to ask questions about the deputy sheriff and the girl in SeaTac. Our ghost story becomes a moral dilemma.
Monfort is shot at his home. (article) As DNA and other evidence is collected, it is important to note that Seattle Police own this story. The journalists were good to gather some additional comments when available but the Police remain the sole proprietors of meat to this story.
Friends and family of Monfort have an opportunity to speak to the press at this time. Often friends and family will decline to speak with the press, often by request of their lawyers, out of fear that the press is out to ruin the case and create prejudice against them before the jury is assembled. It is the journalist's first priority to understand the family's need for space but it is also important for the family to understand that silence is not always the best option. In the Monfort case, silence is counter productive.
If Monfort is innocent, it is the duty of his friends and family to step forward now to clear his name. If Monfort is guilty, the journalist might offer an opportunity for speak anonymously. Either way, if the journalist is not able to dig up information about Monfort, he loses an opportunity to tell a compelling story.
Monfort questioned authority. (article) When friends and family do not speak, a journalist must rely only on public record. Here is where we establish Monfort's identity as a proponent of freedom. He witnessed the fall of The Berlin Wall and participated in the first Iraq war. In school, Monfort was deeply passionate about the people's right to a government that stays within the confines of the constitution.
The danger of these findings is that the story becomes instantly political when the shooter is identified as representing a political point of view already grossly associated with domestic terrorism. For example, should society be fearful of people who question authority?
This story ends with a dead police officer but its power is in the conflict between security and freedom. The intent is not to vilify Monfort because to do so would to paint Brenton's death in vain. Also, the story is not to patronize Monfort's politics as to neglect the true struggle of the human condition.

Police officer shot dead Halloween night. (article) Brenton's position as a senior police officer and a mentor to Britt Sweeney enhances the symbolic meaning of the story. A police officer is dead and we are faced with the mortality of our protectors
Police in search of suspicious car. (article) Once we establish the mortality of our hero, we introduce our faceless anti-hero. He draws power from his obscurity.
I know it is a lot to ask from the city, but I would like to see video evidence released to the public. Screen shots of video are not enough.
Police share theory about suspect. (article) Our anti-hero challenges the morality of our hero. Our villain wants us to ask questions about the deputy sheriff and the girl in SeaTac. Our ghost story becomes a moral dilemma.
Monfort is shot at his home. (article) As DNA and other evidence is collected, it is important to note that Seattle Police own this story. The journalists were good to gather some additional comments when available but the Police remain the sole proprietors of meat to this story.
Friends and family of Monfort have an opportunity to speak to the press at this time. Often friends and family will decline to speak with the press, often by request of their lawyers, out of fear that the press is out to ruin the case and create prejudice against them before the jury is assembled. It is the journalist's first priority to understand the family's need for space but it is also important for the family to understand that silence is not always the best option. In the Monfort case, silence is counter productive.
If Monfort is innocent, it is the duty of his friends and family to step forward now to clear his name. If Monfort is guilty, the journalist might offer an opportunity for speak anonymously. Either way, if the journalist is not able to dig up information about Monfort, he loses an opportunity to tell a compelling story.
Monfort questioned authority. (article) When friends and family do not speak, a journalist must rely only on public record. Here is where we establish Monfort's identity as a proponent of freedom. He witnessed the fall of The Berlin Wall and participated in the first Iraq war. In school, Monfort was deeply passionate about the people's right to a government that stays within the confines of the constitution.
The danger of these findings is that the story becomes instantly political when the shooter is identified as representing a political point of view already grossly associated with domestic terrorism. For example, should society be fearful of people who question authority?
This story ends with a dead police officer but its power is in the conflict between security and freedom. The intent is not to vilify Monfort because to do so would to paint Brenton's death in vain. Also, the story is not to patronize Monfort's politics as to neglect the true struggle of the human condition.
Labels:
civil rights,
journalism,
news,
police
Thursday, September 17, 2009
a bit too dramatic for a cover letter
I graduated from Seattle University with a degree in journalism. From the graduation ceremony, you could actually hear the walls of Post-Intelligencer caving in on it self. For four years, we studied the art of collecting and contextualizing daily trivia, listening to professors lecture us about how television and now the internet have corrupted what was once the practical skill of objective journalism, never to ask the important questions. That is, maybe we were wrong all along? Maybe we were naïve to think that journalism is the truth and that the public, who prefer to get daily news, filtered through partisan channels and marketing agencies, is wrong? Maybe the time has come, to rethink what we think we know about how people hunger for information and how they consume it? Time to let this failed dream die, wake up now to the reality of what consumers want, the value content providers imagine they provide, and the disparity between the two ideas.

I like the Thomas Jefferson quote in the picture above: Were it left to me to decide whether we should have a government without newspapers, or newspapers without a government, I should not hesitate a moment to prefer the latter.

I like the Thomas Jefferson quote in the picture above: Were it left to me to decide whether we should have a government without newspapers, or newspapers without a government, I should not hesitate a moment to prefer the latter.
Labels:
existential crisis,
journalism,
seattle university
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